Oyindamola (Fakeye) Faithful is the current Executive & Artistic Director of the Centre for Contemporary Art, Lagos (CCA, Lagos), where she previously co-founded the Video Art Network Lagos (2009).

She has worked on various exhibitions and projects, including “Identity: An Imagined State” (2009) the first video art exhibition in Nigeria. Co-curated the Lagos Biennial II (2019), titled “How to Build a Lagoon With Just a Bottle of Wine,” alongside Tosin Oshinowo and Antawan Byrd.

Additionally, she initiated The Arts and Tech Podcast in partnership with the Goethe Institut Nigeria and was the creative producer for “Moving Between,” a 360-degree VR experience of the Kofar-Mata dye pit, a cultural and historical site in Kano, Nigeria.

Oyindamola’s practice often centers collaboration, access, inclusion, embodied experiences and new media technology.

Ama Ofeibea Tetteh is founder and lead consultant at Chapter54. With a background in Graphics & Communications, Research and Programme Management and academic qualifications from Central St. Martins, Goldsmiths College and SOAS; her career portfolio is driven by a passion to harness the Arts and Creative sector to create opportunities and contribute to new narratives about the Continent.

Having worked within the Creative and Cultural Industries for over 18 years, her professional offering centres on deep understanding of cultural nuance and appreciation for the artistic as well as the operational.

Ama previously worked as Head of Graphics and Archive at international Architectural Firm Adjaye Associates (UK), Researcher at Tom Fleming creative Consultancy (UK) and as West Africa Arts Programme Manager for British Council (GH). Currently consulting at CCA Lagos (NG) as Programme Manager for Àsìkò Art School, her practice continues to be fuelled by curiosity, creativity and connection.

Mary Osaretin Omoregie is a curatorial assistant at the Centre for Contemporary Art,
Lagos. As a curator and researcher, she is interested in African feminism and archival
representation. Mary is also interested in exploring new modes of critical inquiry,
including the intersections of artistic practice, cultural identity, and community
formation that exist beyond traditional paradigms and norms. Her works focus on
women’s rights, negritude, and several social issues.

As a researcher and curator, she has worked on projects such as ‘Reinventing
GRASSI SKD’ in collaboration with GRASSI Museum of Ethnology Leipzig and the
German Federal Cultural Foundation, Moving Between: A Virtual Reality
Documentary, which is a collaboration between Meta, African No Filter, and the
Centre for Contemporary Art, Lagos. In 2022, she was part of the emerging curators’
residency at the Pilotenkueche International Art Program. Mary was a recipient of the
Goethe Institut’s Support and Connect Grant 2023. Also, she was a member of the
planning team for National Arts in Health Week 2023.

Some of her research projects include ‘Black Muses:Archives on Women Bodies in
19th-Century French Art’, ‘African Feminist Epistemology:In Search for Pragmatic
Relevance’, and ‘The Restitution of the Benin Artifacts and the Representation of
African Feminism’. She currently serves as the project assistant for Asiko Art School.

Alabi Oluwanifemi Deji is a social media manager at the Centre for Contemporary Art, Lagos.
He is also a medical doctor, who graduated from the College of Medicine, University of Lagos.

Due to his love for content creation and design, he ventured into the digital space in 2019 focusing on digital marketing, graphic design, and branding.

He is also an Asian culture enthusiast, with keen interest in their art, food, movies, music, language and culture.

As the social media manager, he has been involved in all projects that CCA, Lagos has undertaken since he joined the team. He also joined the Asiko Team in 2022 and was in charge of all the content that was released from it.